We are currently planning clinics for 2022.
If you have any questions about the clinics that aren’t addressed on this page, or would like to be included in our VIP Notification List for when registration opens for future clinics, you can e-mail us at the bottom of this page.
You’re invited to a one-of-a-kind event that takes place in Nashville: a clinic devoted to the hands-on techniques of modern, professional music production and recording, exclusively for women. That’s right: all of the students in the clinic are women.
Who should attend?
If you’re a woman who is aspiring to become better at recording and music production (whether for your own music or someone else’s), then you’re a candidate for this event. If you’re already involved and experienced in recording and music production, you will also get a lot out of the Clinic. If you like to roll up your sleeves, dive in and learn with a group of like-minded women in a fun, safe and supportive environment, then you’ll fit right in at the Empowering Women In Audio Clinic.
Prerequisites/level of experience needed
Having said that, this Clinic is not for everyone. To get the most benefit from it, you really need to have at least some basic previous experience with recording, either in your own home studio, or with others in a professional studio (e.g., as a hands-on artist/producer). Yes, we’re going to reinforce a lot of fundamentals in addition to teaching pro recording secrets and techniques, but we won’t be explaining what a microphone is or what recording software is. We will, however, show you how to use microphones and recording software in a variety of professional ways, to get the best sound possible from them. So, if you’re a beginner with some basic experience, you’ll probably do just fine. And you’ll be encouraged to ask questions, and will not be made to feel intimidated. If you’re intermediate-to-advanced level, you’ll definitely have no problem at all, and will probably be able to help and encourage some of the less-experienced students. It is, after all, a clinic, and we’re all going to roll up our sleeves together and help each other out.
“I loved the clinic! It filled the gaps (like understanding compression & how to properly mic equipment) and answered the questions I had on production & recording! I finally understand Compression & mastering! The environment was friendly and inviting. Being able to get all your questions answered was awesome. I feel much more confident in the studio now!”
Class size is EXTREMELY limited!
Because we want every student to be able to participate fully and have her questions addressed completely, class size is limited to a maximum of 10 students, and will be filled on a first-come, first-served basis. Once we exceed 10 applicants, we’ll schedule an additional Clinic later in the year, but this one will be full. We already have students signed up, so if you’re thinking of attending, you’ll want to decide as soon as possible and register for the event (see instructions below).
Why a women-only event?
You might be wondering why this event is for women only. There are a number of reasons, but here are three of the most important ones:
- The role of women in music production and the recording arts is changing very quickly.
It used to be an almost exclusively “man’s game” — especially in the studio. Until a few years ago, with a few notable exceptions, nearly all recording engineers and producers were men. Now, that’s no longer the case. The business has truly opened up for women.
- Women bring an entirely different sensibility to the studio and the music production process than men do.
That’s not “guy-bashing;” it’s simply an observation. It’s not that men or women are “better” in the studio — they’re just different. Some of it is biological (women have different hearing sensitivity and frequency range than men do, for example), but it’s also cultural. Women bring a certain empathy and insight to the music and to the recording process that men don’t. And their recordings and production actually sound different as a result.
- When women get together to work exclusively with other women, there’s an entirely different dynamic in the room than when they are working together with men.
Again, that’s not intended to dis the guys; it’s simply that the whole “gender factor” isn’t present when it’s a women-only crowd. The result is that women are able to simply be themselves, and different things happen. And the results for the music can be fantastic.
“I came to the Empowering Women in Audio Clinic with a fair amount of know-how, but still walked away with countless valuable tips. The clinic helped me uncover gaps in my knowledge (sometimes on very fundamental things) and helped me recognize where I’ve been cutting corners that are impacting the quality of my finished product. I loved being surrounded by like-minded, powerful women in a safe space where we could freely ask questions with no judgment. Fett and Nancy are clearly in this business because they genuinely enjoy sharing their knowledge and gifts to empower others. If you’re on the fence about whether to invest your time and money in this clinic, I highly encourage you to take the plunge.”
The elephant in the room…
Okay, you might be wondering: how did a guy become the host of a women-only clinic?! It’s a totally valid question. So… If you don’t know me, my name is Fett. That’s all I go by, no last name — kind of like Cher or Madonna. 😉 I’ve been recording and producing records for nearly 35 years, the past 25 of them in Nashville. I’m also a life/career coach, author, mentor and teacher.
I’m married to a “chick singer,” Nancy Moran (of The Four Bitchin’ Babes fame), who is also my business partner and co-founder of Azalea Music Group. And in life and business, we are truly equal partners, as it should be. I’ve always felt most comfortable in Nancy’s circle of women friends and colleagues, most of whom refer to me as “one of the girls.” For whatever reasons, I’m just at ease around women. Maybe it’s because the two biggest influences in my life have been my grandmother and my mom. They both taught me values, but my mom also taught me how to play guitar and got me going on my musical journey. She has also always been my biggest supporter in my music industry career, whether as a musician, songwriter, recording engineer, or producer.
I also spent two years immersed in the Uplevel You Gold Elite Mastermind program offered by my coach and mentor, Christine Kane. If you know Christine, then you know that 99.99 percent of her clients are women. So when I attended her live retreats in Atlanta and Asheville, it would be a couple hundred women, and me (and sometimes a couple of other guys, max). And you know what? I never felt more comfortable and “at home with a tribe” than I did at those events. It just felt natural. I felt like I belonged there.
“I wanted hands-on experience in-studio with an experienced, patient teacher, and that is what I received in this clinic. Already inspired by Fett’s videos, I got everything I expected and more from the clinic to step up my game at my home studio. In addition, I’m empowered in recording sessions at bigger studios because I have learned some “tricks of the trade.” I interact intelligently and confidently with engineers and producers, and feel competent and even adventurous wearing the different hats as a producer, engineer and artist in my own home sessions. Whether you record yourself or you are about to enter into sessions on a more professional level, this clinic offers invaluable information and hands-on experience in a professional studio with top notch session musicians. Fett’s masterful approach as a teacher leaves plenty of room in a supportive environment with a small group of like-minded women for participants to ask questions while offering a genuine, well-thought out, organized approach to recording, mixing and mastering a project from beginning to end. An added bonus–meeting a group of fabulous women musicians and producers!”
One of my biggest mentors in my production/engineering career has been Kim Person. You may know her as the producer for Tommy Emmanuel, Stephen Bennett, Pamela Rose, Jill Colucci and numerous other very successful artists. Kim started out in the professional recording studio business years before I did, and was a true pioneer at the time. She’s a gifted musician, songwriter, engineer and producer, and has had a huge impact on my career and my perspective on music production. She was kind enough to “take me under her wing” at a time when I was getting serious about significantly upping my production and engineering chops, and showed me the ropes in a lot of areas. Her guidance and influence color everything I do in the studio today.
So it’s fair to say that I’ve got a lot of “female energy” and influence in my life and career. I’m not just okay with it, I celebrate it.
Over the years, I’ve noticed an interesting phenomenon taking place in my career: more and more of my production clients, coaching clients, and students have been women. Most of the CDs and EPs I produce today are for women artists. And when I teach my online courses in recording, mixing, mastering and other music production topics, there is always a high percentage of women in class, and it gets higher every year. I think part of the reason is that there are just more women “stepping up” and participating in more and more facets of the music industry. But I also think it’s more than that: I feel very comfortable with women clients and students, and they feel very comfortable with me. It has been a totally natural, unforced, organic process that has taken place over many years.
“Fett and Nancy created the most amazing supportive environment for all students to ask ANY questions and express any idea about engineering and music. The days were filled seamlessly with ALL of the information we needed to get our songs from the beginning stage of being on the page to a place where they can be consumed by public ears! All of the technical details of engineering were presented in a way that was completely understandable and retainable. This means a lot to lady that doesn’t really like that side of things! I’ve been known to throw my hands up and at computer glitch and hand it off to my husband to fix! The icing on the cake was the laughter, comraderie, and friendship that was ever present through out the workshop. I came back to Seattle filled with the tools I need to produce my own records and songs for TV and Film, and a new batch of friends and comrades in this crazy business of music.”
So here we are…
A logical outgrowth of this process has been that more and more of my women mentoring clients and students have been asking if I offer live, in-person events. Those inquiries were the genesis for the idea of teaching an intensive, real-world event dedicated to recording and production — AND offered exclusively to women.
The style of this clinic is hands-on and immersive. Yes, I’ll be the instructor and guide you along the way, but YOU will be doing the work. Or to put it another way, the women will be calling the shots in the studio this time! 🙂 So you’ll have a lot of opportunity for real-world, hands-on experience. Over the course of five days, we’ll take a song through the entire production process from start to finish, from pre-production through a finished master. And you’ll be actively participating in every step of that process.
One of the things Nashville is known for is its amazing studio musicians, and it’s partly why this clinic is being held in Nashville. We’ll have a full complement of some of Nashville’s finest studio aces (affectionately known as “The Brecking Crew” — for Brentwood Wrecking Crew) doing a live recording session that you will conduct and engineer with my guidance. That means you’ll get to set up for, record, mix and master a full band that includes (at a minimum) live drums, bass, guitars, keyboards, and vocals. The core of The Brecking Crew’s musicians are guys, and that’s quite deliberate: in the real world of music production, it’s inevitable that women and men work together in the studio environment, and yield the greatest results from their complementary skills and perspectives. This difference is that instead of a bunch of guys (and a guy producer and a guy engineer) telling you what to do, you’ll be instructing them. Again, this time, the women are in charge! 🙂
In addition to guiding and recording the session, you’ll get a chance to sit down with all of the musicians in the band and pick their brains. I’ve intentionally left space in the schedule so that you can get “quality time” with them and ask them any questions you’d like to about their process in the studio, and how they approach their craft. There is nothing quite like spending time working side-by-side with Nashville studio pros. That part of the experience itself is worth the price of admission.
So that’s the gist of the process. Here’s a detailed outline of exactly what we’ll be doing during each of the five days of the Clinic:
Day 1 and 2 – Setting The Stage:
- In-studio concepts process, and routing lecture
- Hands-on gear operation to illustrate points in lecture
- Crash course in the Nashville Number system
- Pre-production meeting with artist, production layout for the following day
- Prep/setup of all instrumental and vocal stations for full-band session on Day 3
- Setup of DAW recording project for full-band session
- Setup of all monitor mixes for full-band session
- Full drum kit setup and miking
Day 3 – Live Band Tracking and Overdubbing Session, Editing and Comping:
- Hands-on discussion/group Q&A with Nashville session musicians
- I/O routing and gain-staging
- Full-band tracking session with Nashville session musicians (drums, bass, keyboards, guitars)
- Overdubbing session with Nashville session musicians (solos, layering, vocals)
- Session teardown
- DAW editing and comping of the day’s tracks
- Mix prep
Day 4 – Mixing:
- DAW mixing session, based on the steps in Fett’s Mixing Roadmap book
- Environment setup
- Mix setup and maintenance
- Core mix and the 5 Primary Mixing Tools (levels, panning, effects, compression and EQ)
- Iterative adjustment and automation
- Master bus processing and tweaks
- Multi-environment listening and mix export
- Wrap-up and housekeeping
Day 5 – Mastering and Wrapup:
- Mastering goals and setup
- Mastering steps and tools
- Mastering options: stock DAW plug-ins, 3rd-party plug-ins, standalone programs and plug-in suites
- Mastering session with Steinberg’s Wavelab and iZotope’s Ozone
- Resampling and dithering, rendering of final master
- CD Master burn and DDP file export
- Final live group Q&A session
Clinic schedule and timing
As you can see, we’re going to cover a LOT of ground in just five days! As such, the schedule will be full, from 9 AM until we’re done each day (shooting to wrap up around 6 PM), with a short break for lunch. So in order not to miss anything, you’ll want to arrive in Nashville the night before the event, and not schedule any daytime activities during the five days of the Clinic (although you will most likely want to take advantage of all that Nashville has to offer in the evenings).
We are currently planning clinics for 2022. If you’re interested in future ones, you can click on the link at the very bottom of this page to be notified when we open up registration for future clinics as they are announced.
Clinic Cost and Payment
The normal cost for this in-person, intensive, 5-day clinic is $1497. HOWEVER, we do offer Early Bird discounts in advance of most clinics. If you would like to take advantage of our Early Bird pricing, you can click on the link at the very bottom of this page to be notified as soon as they are offered, before the they are announced to the public.
The Clinics are taught at Azalea Studios, which are located in Brentwood, a suburb of Nashville about 20 minutes south of Music Row. The only thing that could change that is if the number of students grows to an unwieldy number, but it’s more likely we’ll add a second Clinic before we’ll change the location.
Fortunately, Brentwood is a large and active Nashville suburb that’s used to hosting events, so there’s a ton of lodging available within just a few miles (a ten-minute drive) of both the Clinic and Nashville proper. In addition to Airbnb-type accommodations, Brentwood has numerous suites-type hotels. They usually run $80 – $90 per night, but there are often discount specials (for example, the Brentwood Holiday Inn Express and Suites recently ran one for just $60 per night, which is a really great deal for the Nashville area). If you do a Google search for “suites hotels in Brentwood, TN 37027” you’ll see the latest prices and deals.
We understand that sometimes, life can get in the way and cancellations just have to happen. At the same time, since this event is limited to so few students, we want to make sure that students are truly committed to attending. So we’ve come up with the following cancellation policy:
“If you cancel your registration after your payment, you will not receive a refund, but you will get a CREDIT for the total amount of all payments you have made up to that time, which can be applied towards any products or services we offer at Azalea Music Group.”
Nashville really IS “Music City”
Any time of year is pretty amazing for music-related events in Nashville, so if you’re interested in making music a part of your trip, it’s worth putting an extra day or more into your stay in Music City.